Catalogue entry
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200
The Harbor
1917
Oil on canvas
24 x 30 in. (60.96 x 76.2 cm)
Signed lower left: John F. Folinsbee
Folinsbee 1912–20s stockbook: p. 168
Private collection
Provenance
Estate of the artist
Private collection, 1976
Exhibitions
Ferargil Gallery, New York, Paintings by John Folinsbee, November–December 8, 1917.
Bressler Gallery, Milwaukee, An exhibition with Charles Rosen and Emily Groom, February 1919.
Museum of Fine Arts, Boston, December 1919.
McClees Gallery, Philadelphia, Paintings of John F. Folinsbee, November 1–25, 1920, no. 6.
Woodmere Art Museum, John Folinsbee and American Modernism, November 6, 2010–March 6, 2011. (Jensen 2010).
Hudson River Museum, Yonkers, New York, Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940, October 12, 2013–January 17, 2014. (Exhibition catalogue: Jensen & Bland 2013), no. 24, ill., p. 117. Traveled to: Norton Museum of Art, West Palm Beach, Florida, March 20–June 22, 2014.
Published References
Caffin, Charles. "John Folinsbee's Steady Advance." New York American, December 3, 1917.
Appraisal of Pictures, Estate of John F. Folinsbee, June 20, 1972. Boston: Vose Galleries, 1972, #546.
Jensen, Kirsten. "Contour, Bones, and Skin: Cezanne's Influence on John Folinsbee." Fine Art Connoisseur 4 (July/August 2007), p. 51, color ill.
Jensen, Kirsten M. Folinsbee Considered. Hudson Hills Press, 2013, p. 17, color ill. (e.), detail; p. 150 color plate 7; p. 232, cat entry.
Kirsten M. Jensen and Bartholomew F. Bland. Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940. Fordham University Press, 2013. Exhibition catalogue (2013 Hudson), p. 117, color illus.
Record last updated June 3, 2014. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Jensen, Kirsten M. ""The Harbor, 1917 (JFF.200)." In John F. Folinsbee Catalogue Raisonné. www.johnfolinsbee.org/catalogue/entry.php?id=200 (accessed on April 20, 2024).